A Superb Pair of Old New Guinea Lime Spatulas Admiralty Islands Manus Province Papua New Guinea

A Superb Pair of Old Lime Spatulas from the Admiralty Islands in Manus Province of Papua New Guinea

This pair of fine 19th Century Islands Lime Spatulas are beautifully carved with ancestor figure finials, the figure on the right is of a classical Admiralty style, and the male figure is standing on a crocodile head which is an important clan totem,  the Spatula on the left in this photo shows a standing male ancestor and wearing a distinctly German army hat.  The Admiralty Islands were part of Germany New Guinea from 1884 until 1912 when the Australian and British authorities kicked the Germans out of New Guinea during WWI.

The utensils made for chewing betel nut are some of the most beautiful small-scale carvings made in New Guinea and these lime spatulas are great examples of powerful small sculptures.

Provenance: Francis Edgar Williams (1893-1943) was born in South Australia in 1893. Williams gained a diploma in Anthropology from Oxford University. In 1922 he became an assistant government anthropologist in Papua and two years later he took the full position of Government Anthropologist, he carried out extensive anthropological work in a number of areas in Papua & published several books such as “ The Papuans of the Trans Fly 1936 “.  Williams died in New Guinea in a plane crash during WWII.   

The Todd Barlin Collection of New Guinea Oceanic Art

I first went to Papua New Guinea in 1985 for an adventure & what I found was that I really enjoyed being with the people of New Guinea, over the next 38 years I spent extensive time spent collecting and documenting traditional art & ceremonies in remote areas of Papua New Guinea & West Papua, The Solomon Islands & Vanuatu & the other Pacific Islands countries. During these travels, I made major collections of New Guinea & Oceanic Art for major Museums and Public Art Galleries

I was honoured by being in the prestigious Louvre Museum Magazine for the collections I made for The Museum of African & Oceanic Art Paris in 1996 (now the Musee Quai Branly) for the exhibition “Asmat et Mimika d’ Irian Jaya April 1996 At THE MUSEE NATIONAL des ARTS D’AFRIQUE et d’ OCEANIE, Paris

See all of the links & photos in my new EXHIBITIONS GALLERY and there is the link to the article in the prestigious Louvre Magazine 1996

I have artwork for Museums & Art Galleries but also for collectors at every stage of their collecting. I want to encourage people to explore the fine art of New Guinea & West Papua and the Pacific Islands and to be able to see and touch the artworks in a relaxed and friendly manner in my Sydney Gallery.  I would like to invite you to visit my gallery and see the artworks in person and also look at my website www.oceanicartsaustralia.com  where there are many Galleries & Sub Galleries to explore.

My Gallery of nearly 40 years is the last physical gallery in Sydney that specialises in New Guinea & Oceanic Art. Sydney is just a couple hours’ flight to New Guinea & the Pacific Islands where all of these amazing artworks came from, Australia’s closest neighbours.

INQUIRE HERE

 

If you have a similar “object” for sale please contact me for the best price and honest advice by a Government approved valuer 

To see many more rare items and the finest masterpieces, please make an appointment with us to visit the gallery.

For all inquiries, please contact us.

 

A Fine Old Tiwi Islands Club Melville Island Northern Territory

A Fine Old Tiwi Islands Club Melville Island Northern Territory

This old Tiwi club is from Melville Island an island in the eastern Timor Sea off the north coast of the Northern Territory of Australia. Carved from a single piece of hardwood, the handle with a fishtail carving, and the finial is rounded, the entire club is finely ochre painted in traditional Tiwi designs being cross-hatching, solid bands, and some circles.  Clubs were used for dancing in traditional Pukamani Ceremonies.  Tiwi artists’ unique style of painting is highly regarded by other artists and collectors around the world.

Provenance: This old club is from the early 20th Century and came from the collection of a person who lived in Darwin in the 1940’s .

The Todd Barlin Collection of New Guinea Oceanic Art 

INQUIRE HERE

 

If you have a similar “object” for sale please contact me for the best price and honest advice by a Government approved valuer 

To see many more rare items and the finest masterpieces, please make an appointment with us to visit the gallery.

For all inquiries, please contact us.

A Fine Old First Australian Woomera Cape York Peninsula Queensland

A Fine Old First Australian Woomera Cape York Peninsula Queensland

This fine old Woomera is of elegant form and carved from hardwood, the top has the original wood peg where the spear is slotted when used. The woomera extends your arm’s length and greatly increases the distance the spear will travel.  The bottom has a cut bailer shell that is kept in place with resin or wax.  This type of woomera with the shell handle is unique to the Cape York Peninsula area in the Gulf of Carpenteria Queensland. Early 20th Century

Provenance: The Todd Barlin Collection of New Guinea Oceanic Art 

INQUIRE HERE

If you have a similar “object” for sale please contact me for the best price and honest advice by a Government approved valuer 

To see many more rare items and the finest masterpieces, please make an appointment with us to visit the gallery.

For all inquiries, please contact us.

A Fine Old First Australian Bardi People Shield West Australia

A Fine Old First Australian Bardi People Shield West Australia

This finely carved shield with a herringbone design on the front and is coated with red ochre, the back has incised linear striations in horizontal bands. The deep lug handle and entire shield has an old use patina. Early 20th Century. Provenance Old West Australia Collection

One of the most beautiful motifs in aboriginal art is the herringbone design, a design prominent at one time or another in many parts of the world, including ancient Greece, China, and Peru.

Reference: Interlocking Key Design in Aboriginal Australian Decorative Art. Dr. D. S. Davidson First published: September 1949

Provenance: The Todd Barlin Collection of New Guinea Oceanic Art 

INQUIRE HERE

 

If you have a similar “object” for sale please contact me for the best price and honest advice by a Government approved valuer 

To see many more rare items and the finest masterpieces, please make an appointment with us to visit the gallery.

For all inquiries, please contact us.

Tiwi Forked Dance Club, Melville Island Northern Territory

This fine and early Tiwi Ceremonial Dance Club is from either Melville or Bathurst islands in the eastern Timor Sea off the north coast of the Northern Territory of Australia. Carved from a single piece of hardwood, the forked club has deeply incised vertical striations over the entire surface from the top of the forks to the bottom grip and it is finely painted with ochre decoration with bands of colour and small dots. Late 19th Century, Old UK Collection

INQUIRE HERE

If you have a similar “object” for sale please contact me for the best price and honest advice by a Government approved valuer 

To see many more rare items and the finest masterpieces, please make an appointment with us to visit the gallery.

For all inquiries, please contact us.

An Fine Old First Australian Painted Shield Central Australia

A Fine Old First Australian Painted Shield Central Australia

This finely carved and painted shield is from the Central Australia area.  The shield has incised linear striations on both sides and was coated with a background of red ochre. The front of the shield is brightly painted blue, red & yellow depicting an abstract snake outlined in blue. Painted shields were used for dancing during important ceremonies.

Provenance: The Todd Barlin Collection of New Guinea Oceanic Art 

INQUIRE HERE

 

If you have a similar “object” for sale please contact me for the best price and honest advice by a Government approved valuer 

To see many more rare items and the finest masterpieces, please make an appointment with us to visit the gallery.

For all inquiries, please contact us.

Fine Old First Australians Hooked Boomerangs Tennant Creek Northern Territory of Australia

Fine Old First Australians Hooked Boomerangs Tennant Creek Northern Territory of Australia Dating from the 19th Century

These beautiful old boomerangs are each carved from a single piece of hardwood, they are finely incised with fluting on the front surface and with traces of ochre painting, the back of the boomerangs are all finely adzed with traditional tools.  Hooked boomerangs were non-returning boomerangs, they were used to kill multiple birds when thrown into a dense flock. Boomerangs are multi-purpose tools that are used for hunting and could be wielded as clubs, used for digging, used to start friction fires, and as a musical instrument when two are struck together during ceremonial dancing.  With the dramatic hooked finial, they also look like an abstracted bird and the four together look amazing as pure forms.

Provenance: The Todd Barlin Collection of New Guinea Oceanic Art

INQUIRE HERE

If you have a similar “object” for sale please contact me for the best price and honest advice by a Government approved valuer 

To see many more rare items and the finest masterpieces, please make an appointment with us to visit the gallery.

For all inquiries, please contact us.

A Superb Old New Guinea Ceremonial House Gable Mask Middle Sepik River Area Papua New Guinea

A Superb Old New Guinea Ceremonial House Gable Mask Middle Sepik River Area Papua New Guinea

This superb old Gable Mask was made to put under the eves of the front facade of a large Ceremonial House Tambaran from where it looked out over the village. These large and impressive ceremonial houses are a major architectural wonder for which the middle Sepik River area is famous. This finely carved and ochre-painted mask is made from a single piece of hardwood and it has shell eyes. This Mask is a powerful artwork that shows the great artistry of Sepik River artists’

Provenance: Collected in 1965-1966 by the Geologist Peter Austin. Part of Austin’s collection was sold to the Royal Ontario Museum in Toronto and published in the book “New Guinea: Big Man Island” by ES Rogers, Royal Ontario Museum, Toronto Canada 1970 where they remain today but Austin kept the finest artworks for his own collection like this Gable Mask until later the collection was sold to me. 

The Todd Barlin Collection of Oceanic Art

See the photo above of an example of the Middle Sepik River ceremonial house Tambaran from  “Kulthauser in Nordneuguinea by Brigitta Hauser-Schaublin, Page 401.”

I first went to Papua New Guinea in 1985 for an adventure & what I found was that I really enjoyed being with the people of New Guinea, over the next 38 years I spent extensive time spent collecting and documenting traditional art & ceremonies in remote areas of Papua New Guinea & West Papua, The Solomon Islands & Vanuatu & the other Pacific Islands countries. During these travels, I made major collections of New Guinea & Oceanic Art for major Museums and Public Art Galleries

I was honoured by being in the prestigious Louvre Museum Magazine for the collections I made for The Museum of African & Oceanic Art Paris in 1996 (now the Musee Quai Branly) for the exhibition “Asmat et Mimika d’ Irian Jaya April 1996 At THE MUSEE NATIONAL des ARTS D’AFRIQUE et d’ OCEANIE, Paris

See all of the links & photos in my new EXHIBITIONS GALLERY and there is the link to the article in the prestigious Louvre Magazine 1996

I have artwork for Museums & Art Galleries but also for collectors at every stage of their collecting. I want to encourage people to explore the fine art of New Guinea & West Papua and the Pacific Islands and to be able to see and touch the artworks in a relaxed and friendly manner in my Sydney Gallery.  I would like to invite you to visit my gallery and see the artworks in person and also look at my website www.oceanicartsaustralia.com  where there are many Galleries & Sub Galleries to explore.

My Gallery of nearly 40 years is the last physical gallery in Sydney that specialises in New Guinea & Oceanic Art. Sydney is just a couple hours’ flight to New Guinea & the Pacific Islands where all of these amazing artworks came from, Australia’s closest neighbours.

 

If you have a similar “object” for sale please contact me for the best price and honest advice by a Government approved valuer 

To see many more rare items and the finest masterpieces, please make an appointment with us to visit the gallery.

For all inquiries, please contact us.

 

A Fine Old New Guinea Shield Mendi Valley Southern Highlands Province Papua New Guinea

A Fine Old New Guinea Shield Mendi Valley Southern Highlands Province Papua New Guinea

This beautiful old and well-used shield is from the Mendi Valley area of the Southern Highlands Province of  Papua New Guinea. This type of oval shield is called Worrumbi  in the local language and was used during tribal fighting with other nearby groups, there were regularly shifting alliances made & broken, and fighting over land boundaries was common.  A shield belonging to an important man became a family heirloom, and often a shield had a personal name and many stories were attached to it.  This shield shows significant age , the second image shows the dimpled carving and deep black glossy patina. Carved from a single piece of hardwood with an upraised central spine ending in a V shape at the top, there is a hole where feathers were sometimes tied as decorations, the rope handle is attached through two holes in the centre of the shield. Painted with red, white, and blue colours (the blue is likely from Rickets bleach Soap cake) that was highly valued as a colour that people did not have in their traditional pallet in ochre.  Early 20th Century

Provenance:   Field Collected in the Mendi Valley in 1985 and part of my private collection of shields that has been hanging on the wall in my house for 35 years

The Todd Barlin Collection of New Guinea Oceanic Art 

References:

In 1969 Mankind Magazine No . 7 Pages 59-66 There is an article ” The Style in New Guinea Highlands Shields ” by J.A. Abramson is one of the best articles with line drawings of the types of New Guinea Highlands Shields.

Shields of Melanesia ” 2005 Edited by Harry Beran & Barry Craig

This whole book mainly on New Guinea Shields is one of the best references ever published.  The excellent chapter on the Highlands of Papua New Guinea is the best reference book available on the subject. Twenty-Four of the Shields in this book are from my private collection: The Todd Barlin Collection

I helped write three chapters in the most important book on New Guinea Shields, ” Shields of Melanesia ” 2005  edited by Harry Beran and Barry Craig.  These were the chapters I wrote for this important reference book including a Chapter on the Asmat & South Coast of West Papua Irian Jaya Indonesia, Below

3.1 Shields from the North Coast of Western New Guinea: Pages 28- 32 : West Papua Irian Jaya Indonesia

5.1 The Shields of the Highlands of Western New Guinea : Pages 112- 1117  :  Yali Shields Central Highlands West Papua Irian Jaya Indonesia

6.1 Shields from the Southern Lowlands of Western New Guinea: Pages 155-165 : Four areas of  The Asmat People and Digul River areas.

INQUIRE HERE

If you have a similar “object” for sale please contact me for the best price and honest advice by a Government approved valuer 

To see many more rare items and the finest masterpieces, please make an appointment with us to visit the gallery.

For all inquiries, please contact us.

 

A Fine Old New Guinea Shield Mendi Valley Area Southern Highlands Papua New Guinea

A Fine Old New Guinea Shield Mendi Valley Area Southern Highlands Papua New Guinea

This beautiful old and well-used shield is from the Mendi Valley area of the Southern Highlands Province of  Papua New Guinea. This type of oval shield is called Worrumbi  in the local language and was used during tribal fighting with other nearby groups, there was regularly shifting alliances made & broken, and fighting over land boundaries was common.  A shield belonging to an important man became a family heirloom, and often a shield had a personal name and many stories were attached to it.  This shield shows significant age with deep black glossy patina. Carved from a single piece of hardwood. the rope handle is attached through two holes in the centre of the shield, painted with red, white ochre.  Early 20th Century

In 1969 Mankind Magazine No . 7 Pages 59-66  there is an article ” The Style in New Guinea Highlands Shields ” by J.A. Abramson is one of the best articles with line drawings of the types of New Guinea Highlands Shields.  The other good publication on the Shields of New Guinea is a fine book called ” The Shields of Melanesia ” 2005 edited by Harry Beran & Barry Craig,  I wrote several chapters in this book and 22 of the shields published are from my private collection of New Guinea Shields

Provenance:   Field Collected in the Mendi Valley in 1985 and part of my private collection of shields that has been hanging on the wall in my house for 35 years

The Todd Barlin Collection of New Guinea Oceanic Art 

I first went to Papua New Guinea in 1985 for an adventure & what I found was that I really enjoyed being with the people of New Guinea, over the next 38 years I spent extensive time spent collecting and documenting traditional art & ceremonies in remote areas of Papua New Guinea & West Papua, The Solomon Islands & Vanuatu & the other Pacific Islands countries. During these travels, I made major collections of New Guinea & Oceanic Art for major Museums and Public Art Galleries

I was honoured by being in the prestigious Louvre Museum Magazine for the collections I made for The Museum of African & Oceanic Art Paris in 1996 (now the Musee Quai Branly) for the exhibition “Asmat et Mimika d’ Irian Jaya April 1996 At THE MUSEE NATIONAL des ARTS D’AFRIQUE et d’ OCEANIE, Paris

See all of the links & photos in my new EXHIBITIONS GALLERY and there is the link to the article in the prestigious Louvre Magazine 1996

I have artwork for Museums & Art Galleries but also for collectors at every stage of their collecting. I want to encourage people to explore the fine art of New Guinea & West Papua and the Pacific Islands and to be able to see and touch the artworks in a relaxed and friendly manner in my Sydney Gallery.  I would like to invite you to visit my gallery and see the artworks in person and also look at my website www.oceanicartsaustralia.com  where there are many Galleries & Sub Galleries to explore.

My Gallery of nearly 40 years is the last physical gallery in Sydney that specializes in New Guinea & Oceanic Art. Sydney is just a couple hours’ flight to New Guinea & the Pacific Islands where all of these amazing artworks came from, Australia’s closest neighbors.

 

If you have a similar “object” for sale please contact me for the best price and honest advice by a Government approved valuer 

To see many more rare items and the finest masterpieces, please make an appointment with us to visit the gallery.

For all inquiries, please contact us.