A Fine Old New Guinea Shell Currency Matt Lumi Area West Sepik Province Papua New Guinea

A Fine Old New Guinea Shell Currency Matt Lumi Area West Sepik Province Papua New Guinea

This beautiful old woven wealth object from the Lumi Area of the West Sepik Province (now called Sandaun Province) of Papua New Guinea it is made from thousands of tiny Nassa shells each individually sewn onto the sago spathe and woven matt backing.  On the oval form you can see a design made with the pattern of the shells they are like two ” M” or “W”  shapes with a circle in the centre of the mat. The design is likely a stylised figure.  These woven & shell mats are called Poli  in their language, they are important wealth objects that are used as a traditional currency for bride price payments (a dowry) paid by the young man’s family.  This is the largest type of Poli and is much more beautiful than other square or rectangular-shaped examples. Fine weaving takes great skill and many many hours to make this one poli .

Provenance: The Todd Barlin Collection of New Guinea Oceanic Art 

A Fine Old First Australians Hooked Boomerang Northern Territory Australia

A Fine Old First Australians Hooked Boomerang Northern Territory Australia Early 20th Century 

This beautiful old boomerang is carved from a single piece of hardwood, it is finely incised with fluting on the front surface and with traces of ochre painting, the back of the boomerang is finely adzed with traditional tools.  Hooked boomerangs were non-returning boomerangs, they were used to kill multiple birds when thrown into a dense flock. Boomerangs are multi-purpose tools that are used for hunting and could be wielded as clubs, used for digging, used to start friction fires, and as a musical instrument when two are struck together during ceremonial dancing.  With the dramatic hooked finial, this boomerang looks like an abstracted bird of pure form.

Provenance: The Todd Barlin Collection of New Guinea & First Australians & Oceanic Art 

A Fine Old Carved Door Toraja People South Sulawesi Island Indonesia 19th C

A Fine Old Carved Door Toraja People South Sulawesi Island Indonesia Dating from the 19th Century 

This very beautiful old door is from the Toraja People of South Sulawesi Island in Indonesia.  The rectangular door is carved in high relief in the form of a Water Buffalo Head.  Water Buffalo are very important in the Toraja culture where sometimes dozens of large Water Buffalo are slaughtered during a single ceremony. The Toraja live in the mountain area of South Sulawesi Island, most Toraja people are Christian but some are still animists.

This fine old sculpture of a Water Buffalo Head was a rice granary door.  The traditional Toraja religion, known as aluk to dolo, venerated the water buffalo as their primary auspicious animal totem. These animals were sacrificed at great funerals to accompany the dead to the next world.

Tongkonan is the traditional Toraja ancestral house. They stand high on wooden piles, topped with a layered split-bamboo roof shaped in a sweeping curved arc, and they are incised with red, black, and yellow detailed wood carvings on the exterior walls.  Tongkonan is the centre of Torajan’s social life. The rituals associated with the tongkonan are important expressions of Torajan spiritual life, and therefore all family members are impelled to participate, because symbolically the tongkonan represents links to their ancestors and to living and future kin, According to Torajan myth, the first tongkonan was built in heaven on four poles, with a roof made of Indian cloth. When the first Torajan ancestor descended to earth, he imitated the house and held a large ceremony.

Provenance:  From the Collection of the late Cito Cessna Sydney.

The Todd Barlin Collection of New Guinea Oceanic Art 

 

 

A Fine Old New Guinea Korwar Head Canoe Ornament Geelvink Bay area West Papua Irian Jaya Indonesia.

A Fine Old New Guinea Korwar Head Canoe Ornament Geelvink Bay area West Papua Irian Jaya Indonesia.

This very fine old Canoe Prow Ornament with a strong Korwar Head Finial with traces of red paint is from the Geelvink Bay area on the North Coast of West Papua, Indonesia. It was placed at the very front of the canoe.  When I field collected this canoe ornament 38 years ago it was being kept by a family as an heirloom carving from their Grandfather. They said it was off a large type of ocean-going canoe that is no longer made due to the use of aluminum boats that don’t take months for a community to build as was done with dugout tree canoes made in earlier generations. The village in the field photo in this listing is from the same village as this canoe and I have the name of the family it belonged to. Dating from the early 20th century. The fine open work carving shows the great skill of the carver & at the top of the prow ornament is a Korwar ancestor head that has cassowary feathers as hair.  This Northwest part of the island of New Guinea had plenty of trade links with SE Asia, especially with the Moluccu Islands in Eastern Indonesia where many shared designs have come from. It comes on a custom steel display stand that makes it look like it’s floating.

Provenance: The Todd Barlin Collection of New Guinea Oceanic Art 

See my new EXHIBITIONS GALLERY  showing the Museums and Art Galleries Exhibitions that I provided artworks for over the past 40 years. There is the link to the article about my artworks published in the prestigious Louvre Magazine in 1996

I have artwork for Museums and art Galleries but also for collectors at every stage of their collecting. I want to encourage people to explore the fine art of New Guinea & West Papua and the Pacific Islands and to be able to see and touch the artworks in a relaxed and friendly manner in my Sydney Gallery. I would like to invite you to visit my gallery and see the artworks in person and also look at my website www.oceanicartsaustralia.com where there are many Galleries & Sub Galleries to explore.

My Gallery of nearly 40 years is the last physical gallery in Sydney that specializes in New Guinea and Oceanic Art.  Sydney is very close to New Guinea & the Pacific Islands where all of these amazing artworks came from, Australia’s closest neighbors.

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If you have a similar “object” for sale please contact me for the best price and honest advice by a Government approved valuer 

To see many more rare items and the finest masterpieces, please make an appointment with us to visit the gallery.

For all inquiries, please contact us 

 

Shell Wealth Bridal Ornament

This finely woven bridal ornament is a wealth object is called ambusap in Iatmul language. These are used as part of exchange ceremonies between clans as a dowry. The string is all hand made from tree bark fibre and the hundreds of tiny Nassa shells are individually stitched in rows to get the best aesthetic look, the bottom ending in a crocodile head, bailer shells cascade down the centre of the back & the sides have multiple pearl shell dangles. Early to mid 20th Century. The field photos shows a similar bridal ornament with an older woman in the village. These are very important family heirlooms that are traditional wealth.

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If you have a similar “object” for sale please contact me for the best price and honest advice by a Government approved valuer 

To see many more rare items and the finest masterpieces, please make an appointment with us to visit the gallery.

For all inquiries, please contact us.

A Superb Pair of Buddhist Ritual Cabinet Doors with Face of Mahakala Tibet

A Superb Pair of Buddhist Ritual Cabinet Doors torgam painted with the face of Mahakala Protector Deity from Tibet

This very fine pair of old painted ritual cabinet doors called Torgam painted with the face of a Mahakala Deity from Tibet.  Mahākāla is a protector deity known as a Dharmapala in Vajrayana Buddhism, particularly in most Tibetan and Mongolian traditions. T

his cabinet was designed to house utensils for ritual activity, likely in a chapel where invocations were performed for the protective deities.

Painted on uneven wood panels and dates from the 19th Century.

Provenance: Suzy Lebasi Collection. The Todd Barlin Collection

Exhibited: The Art of Compassion: Buddhist Art from the Todd Barlin Collection 2018 Sydney Australia

Published:  The Art of Compassion: Buddhist Art from the Todd Barlin Collection 2018 Sydney Australia Page 38

A Superb Collection of Antique Kris Sword Handles Indonesia 18th -19th Century

A Superb Collection of 20 Antique Kris Sword Handles or Hulu from Indonesia dating from the 18th -19th Century

This collection of 20 antique Indonesian Kris Handles (three are actually Betel Knife Handles) was collected over 40 years, many were acquired from the well-regarded Indonesian Art Dealer Daeng Iskander, who had put together a part of the Barbier Mueller Collection of Indonesian Art now in The Musee du Quai Branly in Paris France.  These miniatures masterpieces of art when placed together as a collection are amazing to look at and fantastic to hold in your hand.

Each Kris Handle has such great detail & artistry and the old patina shows long handling & use.

Provenance: Daeng Iskander Collection Bali, The Todd Barlin Collection & The Elizabeth Pryce Collections

Kris has been produced in many regions of Indonesia for centuries, but nowhere is the Kris so embedded in a mutually-connected whole of ritual prescriptions and acts, ceremonies, mythical backgrounds, and epic poetry as in Central Java.

A Kris can be divided into three parts: blade (bilah or wilah), hilt (hulu), and sheath (warangka). These parts of the Kris are objects of art, often carved in meticulous detail and made from various materials: metal, precious or rare types of wood.

Both a weapon and spiritual object, Kris are often considered to have an essence or presence, considered to possess magical powers, with some blades possessing good luck and others possessing bad. Kris are used for display, as talismans with magical powers, weapons, sanctified heirlooms (pusaka), auxiliary equipment for court soldiers, an accessory for ceremonial dress, an indicator of social status, a symbol of heroism, etc.

Legendary Kris that possess supernatural power and extraordinary ability were mentioned in traditional folktales, such as those of Empu Gandring, Taming Sari, and Setan Kober.

The history of Kris is generally traced through the study of carvings and bas-relief panels found in Southeast Asia. It is believed that the earliest Kris prototype can be traced to Dongson bronze culture in Vietnam circa 300 BC that spread to other parts of Southeast Asia. Another theory is that the Kris was based on daggers from India. Some of the most famous renderings of a Kris appear on the bas-reliefs of Borobudur and Prambanan temple.

According to traditional Javanese kejawen, Kris contains all the intrinsic elements of nature: tirta (water), bayu (wind), agni (fire), bantolo (earth, but also interpreted as metal or wood which both come from the earth), and aku (lit: “I” or “me”, meaning that the Kris has a spirit or soul). All these elements are present during the forging of Kris. Earth is metal forged by fire being blown by pumped wind, and water to cool down the metal. In Bali, the Kris is associated with the nāga or dragon, which also symbolizes irrigation canals, rivers, springs, wells, spouts, waterfalls and rainbows; thus, the wavy blade symbolizes the movement of the serpent. Some Kris have the head of a naga (dragon) carved near the base with the body and tail following the curves of the blade to the tip. A wavy Kris is thus a naga in motion, aggressive and alive; a straight blade is one at rest, its power dormant but ready to come into action.

The handle or hilt (hulu) is an object of art, often carved in meticulous details and made from various materials: precious rare types of wood to gold or ivory. They were often carved to resemble various animals and Hindu deities,  In Bali, Kris handles are made to resemble demons coated in gold and adorned with semi-precious and precious stones, such as rubies. In Java, Kris handles are made in various types, the most common design being the abstract stylized representation of the human form.

Further reading :
• David van Duuren, The Kris; An Earthly Approach to a Cosmic Symbol. Wijk en Aalburg (The Netherlands): Pictures Publishers, 1998.
• David van Duuren, Krisses; A Critical Bibliography. Wijk en Aalburg (The Netherlands): Pictures Publishers, 2002.
• Vic Hurley; Christopher L. Harris (1 October 2010). Swish of the Kris, the Story of the Moros, Authorized and Enhanced Edition. Cerberus Corporation. ISBN 978-0-615-38242-5.
• Gardner, Gerald B., Keris and Other Malay Weapons Orchid Press; Reprint Edition 2010 ISBN 978-974-8304-29-8 (Originally printed 1936 Singapore:Progressive Publishing Company)
• W.H. Rassers, ‘On the Javanese kris’, in: Bijdragen tot de Taal-, Land- en Volkenkunde 99, 1940, pp. 377–403.

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If you have a similar “object” for sale please contact me for the best price and honest advice by a Government approved valuer 

To see many more rare items and the finest masterpieces, please make an appointment with us to visit the gallery.

For all inquiries, please contact us.

A Fine Old Abelam Woven Yam Mask Prince Alexander Mountains Area East Sepik Province of Papua New Guinea

A Fine Old Abelam Woven Yam Mask from the Abelam People in the Prince Alexander Mountains Area of the East Sepik Province of Papua New Guinea

This finely woven & ochre-painted Mask was used in Yam Harvest ceremonies that are at the heart of the Abelam Culture. They are used solely to decorate large ceremonial Yams.

Lavishly adorned for the presentation ceremony, the finest long yams are essentially transformed into human images, decorated in the manner of men in full ceremonial regalia. The “heads” of the enormous tubers are adorned with specially made yam masks such as this one, which is made exclusively for yams and is never worn by humans.

One of the major focuses of ceremonial life among the Abelam people of northeast New Guinea is the competitive growth and exchange of long yams. The Abelam cultivate two distinct categories of yams—a small variety used as ordinary food and long yams, massive tubers that can be as much as twelve feet long. A man’s social status is determined largely by his success in growing long yams.

Each man has a permanent exchange partner to whom he ceremonially presents his largest yams following the annual harvest, later receiving those of his rival in return. Men who are consistently able to give their partners longer yams than they receive gain great prestige.

Provenance: The Todd Barlin Collection of Oceanic Art

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To see many more rare items and the finest masterpieces, please make an appointment with us to visit the gallery.

For all inquiries, please contact us.

A Fine Japanese Vine Sculpture

A Fine Japanese Vine Sculpture

This beautiful sculpture is made from a tangled mass of vines that were encouraged together with this beautiful outcome.

Provenance: The Todd Barlin Collection of Oceanic & Asian Art

 

Rare Magic Bone Abelam People East Sepik Province Papua New Guinea 19th C

This very old magic bone is from the Abelam People in the East Sepik Provenance of Papua New Guinea.  The deeply incised designs around the entire outside of the bone tube. Warm rich patina from handling.  Dating from the late 19th Century

Provenance: Collected by Anthony Forge (1929-1991)  Professor of Anthropology in the Faculties at ANU Canberra in the 1970s. He did extensive research in the Sepik River area in the 1960’s-70s.

 

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If you have a similar “object” for sale please contact me for the best price and honest advice by a Government approved valuer 

To see many more rare items and the finest masterpieces, please make an appointment with us to visit the gallery.

For all inquiries, please contact us.