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A Superb Old New Guinea Cult House Finial Sepik River Area East Sepik Province Papua New Guinea


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Collection No. SOLD
Size 133cm
A Superb Old New Guinea Cult House Finial Sepik River Area East Sepik Province Papua New Guinea
A Superb Old New Guinea Cult House Finial Sepik River Area East Sepik Province Papua New Guinea
A Superb Old New Guinea Cult House Finial Sepik River Area East Sepik Province Papua New Guinea
A Superb Old New Guinea Cult House Finial Sepik River Area East Sepik Province Papua New Guinea
A Superb Old New Guinea Cult House Finial Sepik River Area East Sepik Province Papua New Guinea
A Superb Old New Guinea Cult House Finial Sepik River Area East Sepik Province Papua New Guinea

A Superb Old New Guinea Cult House Finial Sepik River Area East Sepik Province Papua New Guinea

This superb old Ceremonial House finial was off the very pinnacle of the roof of the sacred Men’s Cult House or Haus Tambaran belonging to the Iatmul People in the Middle Sepik River area in the East Sepik Province of Papua New Guinea.  In the form of a powerful standing male ancestor with a totemic crocodile on his back and a totemic bird standing on his head.

The art of the Iatmul, and neighbouring peoples in the Middle Sepik region of northeastern New Guinea is primarily associated with their impressive men’s ceremonial houses (see the above photo of one of these cult houses) they are seen as the embodiment of primordial female ancestors. The triangular gables at either end of  Iatmul men’s houses rise into steep peaks crowned by separately carved wood finials that depict human figures with birds and in this case a totemic crocodile. In some instances, the human images are said to represent enemies subdued by the power of the village’s totemic beings. In this interpretation, the bird symbolizes the village’s martial strength, which in former times assured victory in war. According to other accounts, the finial images represent the dual nature of the primordial bird-men and bird-women, who originally created the sacred musical instruments, consisting of bamboo flutes and slit gongs that were kept within the ceremonial houses and played a central role in ritual life.

Provenance: The Todd Barlin Collection of New Guinea Oceanic Art 

I first went to Papua New Guinea in 1985 for an adventure & what I found was that I really enjoyed being with the people of New Guinea, over the next 38 years I spent extensive time spent collecting and documenting traditional art & ceremonies in remote areas of Papua New Guinea & West Papua, The Solomon Islands & Vanuatu & the other Pacific Islands countries. During these travels, I made major collections of New Guinea & Oceanic Art for major Museums and Public Art Galleries

I was honoured by being in the prestigious Louvre Museum Magazine for the collections I made for The Museum of African & Oceanic Art Paris in 1996 (now the Musee Quai Branly) for the exhibition “Asmat et Mimika d’ Irian Jaya April 1996 At THE MUSEE NATIONAL des ARTS D’AFRIQUE et d’ OCEANIE, Paris

See all of the links & photos in my new EXHIBITIONS GALLERY and there is the link to the article in the prestigious Louvre Magazine 1996

I have artwork for Museums & Art Galleries but also for collectors at every stage of their collecting. I want to encourage people to explore the fine art of New Guinea & West Papua and the Pacific Islands and to be able to see and touch the artworks in a relaxed and friendly manner in my Sydney Gallery.  I would like to invite you to visit my gallery and see the artworks in person and also look at my website www.oceanicartsaustralia.com  where there are many Galleries & Sub Galleries to explore.

My Gallery of nearly 40 years is the last physical gallery in Sydney that specialises in New Guinea & Oceanic Art. Sydney is just a couple hours’ flight to New Guinea & the Pacific Islands where all of these amazing artworks came from, Australia’s closest neighbours.