A Fine Old Bulul Figure Hapao-Hungduan Region Luzon Island, Philippines

A Fine Old Ifugao Bulul Figure from the Hapao-Hungduan Region of Luzon Island Philippines

This fine old Bulul Figure was sensitively carved by a master carver, depicting a standing female figure with a child holding onto her back.  Carved from a single piece of traditional Nara Wood the figure has an excellent patina consistent with significant age and appropriate ritual use. Regular ceremonies presided over by the village priest were held throughout each stage of the rice production process, leading to regular handling and offerings being made to the statues.

In the book ” Philippines; an Archipelago of Exchange ” in the section on Bulul Sculptures is described with the words “serene & austere, powerful and quiet “.

Such figures were carved by the Ifugao as protective figures to be installed in their rice fields and rice granaries to protect the rice crop and harvest from evil spirits. The figures are highly stylised representations of ancestor-associated Rice Gods and were believed to attract the presence and thus power of ancestral rice god spirits.

Bululs were handed down to the first child of a family, usually, they were carved as pairs, one male and one female, but often the two become separated when sold to local or European art collectors.

This Bulul has an important provenance: Acquired from William Beyer in Manila in 1975. William Beyer was the son of Henry Otley Beyer (1883–1966) born in Edgewood, Iowa, and was a graduate of Denver University, where he studied chemistry. In 1905 he arrived in the Philippines and, while working as a teacher, studied the Ifugaos of the Banaue Valley of northern Luzon. In 1908–09 he carried out research in Asia, North Africa, and Europe and undertook graduate studies in anthropology at Harvard University. In 1909 he returned to the Philippines and was appointed ethnologist in the Bureau of Science. He carried out fieldwork among the Ifugaos, Igorots, Apayaos, Kalingas, and other peoples. In 1914 he joined the staff of the University of the Philippines and set up the Department of Anthropology. He became a Professor of Anthropology in 1924 and held the position until his retirement in 1954. He continued to live in the Philippines until his death when his son took over his legacy of collecting & documenting Philippine indigenous art.

The Hugh Gallagher Collection Australia: acquired from William Beyer in Manila in 1975.

The Todd Barlin Collection  Oceanic & Asian Art

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