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A Superb Maori Ceremonial Adze Toki Poutangata


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Collection No. T-4985
Size Height 52cm x 36cm across
A Superb Maori Ceremonial Adze Toki Poutangata
A Superb Maori Ceremonial Adze Toki Poutangata
A Superb Maori Ceremonial Adze Toki Poutangata
A Superb Maori Ceremonial Adze Toki Poutangata
A Superb Maori Ceremonial Adze Toki Poutangata
A Superb Maori Ceremonial Adze Toki Poutangata
A Superb Maori Ceremonial Adze Toki Poutangata
A Superb Maori Ceremonial Adze Toki Poutangata
A Superb Maori Ceremonial Adze Toki Poutangata
A Superb Maori Ceremonial Adze Toki Poutangata
A Superb Maori Ceremonial Adze Toki Poutangata

This finely carved Maori Presentation Adze or toki poutangata  is attributed to the Maori Master Carver John Collins made about 30 years ago.  The photos of this beautiful artwork don’t do the carving justice. The carved figures on the top of the adze & the head on the butt of the adze are so well carved they have life & energy that you can feel and it is as fine as any 19th Century Maori Carving in my opinion. The Green Stone Adze Blade is equally fine, made from a very beautiful marbled green colour and the artist gave this stone a very refined shape.

According to the Te Papa Museum in Wellington New Zealand in reference to old toki poutangata or ceremonial adze, they are described as follows:

” A toki poutangata is a ceremonial adze worked from pounamu or greenstone that is usually lashed to a finely carved handle. Almost invariably carried by a person of mana, someone of high rank and with great leadership qualities, they were often adorned with the feathers of significant birds. Such birds included the kaka, kahu, and the kererū. Strips of dog hair were also added. Perhaps the nearest equivalent in European culture is the sceptre, used by kings as a symbol of rank and power and bearing the spiritual symbolism of the Christian cross.

Toki poutangata were used on ceremonial occasions, such as the felling of a great tree for a significant waka (canoe) or for the ridgepole of a whare nui or meeting house. The first chips cut from the tree were taken by the tohunga to a special place where karakia of thanksgiving were recited to the god of the forest, Tanemahuta in acknowledgement of the sacrifice of his offspring. The chips might also be returned ceremonially to the forest to nurture new growth.

It is believed that the toki poutangata was originally used for the ceremonial execution of captives. Upon the death of its owner, the special handle was buried with them while the pounamu blade remained with the tribe. Once it had been decided who would succeed the chief, another handle was fashioned and lashed to the adze.

H D Skinner recorded the work of Māori ethnologist Te Rangi Hiroa on the function of the toki poutangata. Te Rangi Hiroa maintained that this implement was never intended for the adzing of wood by craftsmen. “It formed an exclusive article in the property of a chiefly family, to be borne on ceremonial occasions, to accompany the gestures of the family orator, and to lie in state on the breast of the chiefly dead.” Buck told me that he knew of only one occasion on which a toki poutangata had been used actively, namely by Te Wherowhero when designating Te Atiawa captives to the oven after the fall of Pukerangiora pa. [an attack by Waikato on a Taranaki pa].

‘He suggested that the name of the artefact might be due to this specific function. He later withdrew this and suggested that the term toki poutangata meant “the adze that establishes man in authority”(1).

With this in mind, the symbols of rank between Māori and European culture that held sway at the signing of the Treaty of Waitangi – the toki poutangata and the sceptre – are indeed strongly similar. Another mark of authority for the British were the seals of the realm. ”

Reference

(1) Skinner, H D. (1974). Comparatively speaking: Studies in Pacific Material ”

Provenance: The Todd Barlin Collection of Oceanic Art

 

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